The Great Tide
Artist’s Statement
I paint figures standing at the edge of water, their backs to the viewer. Observers of things that inspire awe and unease. Signs of change, and the attempt to reconcile with a new reality.
The current body of work, The Great Tide, is organized around the four seasons as a framework for different kinds of encounter: a figure on a beach before an incoming storm; beached whales and ancient ruins in winter light; wanderers on serene shores confronted with icebergs in impossible places; children discovering ancient statues and enormous crystals on otherwise ordinary beaches. The imagery follows emotional logic rather than allegory. These scenes are a reflection of an inner truth.
The sea runs through all of it. Not as symbol, but as a presence that is simultaneously beautiful, dangerous, and opaque. The figures are always shown from behind, positioned so the viewer occupies their vantage point rather than observing them from outside. The painters I return to most, Hopper, Hammershøi, Vermeer, understood that stillness and interiority are their own kind of drama. The kind that persists in the mind.
A selection of these works is available directly from my studio in Tel Aviv. Please contact me directly to set up a studio visit.




















